Saturday 25 April 2015

Archimedes Palimpsest

Archimedes Palimpsest was found in a rare 10th-century Byzantine Greek
 manuscript, which is a palimpsest because it is a manuscript in which
 pages have been written on twice. As writing material was expensive
 an original text could be washed off so the parchment could be reused.
 The upper layer of writing on the document to be auctioned contains
 instructions for religious rites but underneath it contains versions
 of Archimedes' most celebrated Greek texts. In the Middle Ages,
 the work was owned by a monastery in Palestine whose collection
 was incorporated into the Greek Patriarchate library in Jerusalem
 in the 19th century. It was later transferred to a monastery in Istanbul.
 The work was taken to Athens when the monastery's library
was broken up after World War I.

source

http://www.archimedespalimpsest.org/

Archimedes Palimpsest - more
more
more + contemporary palimpsests

Tuesday 7 May 2013

Roy Jackson

'To Fleur Ramon', oil on board, 56 x 76cm

'To Fleur Ramon' is a recent painting (which looks like a drawing) by Sydney
artist Roy Jackson. His work alludes to the palimpsest very directly. By covering the canvas/paper with scrawled letter-forms he alludes to writing but it turns out he has nothing verbal to communicate. There are no words as such, just lines and forms. The tones, developed to fullness through the putting down and scraping away of black and white paint, are atmospheric and perhaps suggest an oncoming storm in the landscape or the mind. (Joe Frost)

Monday 6 May 2013

Sunday 28 April 2013

Gabriel Orozco

Gabriel Orozco Black Kites 1997

Gabriel Orozco Atomists: Making Strides, 1996. Computer generated print.


Eva Koťátková

from Eva Koťátková, Theatre of Speaking Objects, 2012, Sydney Biennale 2012     

Emma Hamilton

Emma Hamilton Salt Flat 2013
Artist statement:
Engaging with ideas of suspension and doubling, the project Salt Flat by Emma Hamilton explores the pink lakes of the Mallee region of Victoria. In this arid environment the lakes occasionally become a series of vast dry lakebeds blanketed in a dense layer of salt. Salt Flat examines a landscape in stasis, seeking to understand this mass of water preserved as a cast form. This project forms part of the artist’s ongoing investigation into white landscapes. source



Elizabeth Eastland

Elizabeth Eastland Lost Drawing (Pythagoras’ Proof) 2009 chalk on painted board


Edward Krasinski


Ana Mendieta

Ana Mendieta, from her "Silueta" series (1976)

read more

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Doris Salcedo

DORIS SALCEDO
Untitled
WOOD, METAL AND CONCRETE
39 3/8 x 16 1/2 x 18 1/2 in.


Christo and Jean-Claude

Christo
"Fauteuil empaquetee" (Projet pour Spectrum - Bergeyk) Salle 3, Stedelijk Vanabbe Museum - Eindhoven, Hollande
Collage 1965-66
28 x 22" (71 x 56 cm)
Pencil, charcoal, wax crayon, cardboard, polyethylene and rope
Photo: Archive
© 1966 Christo 


Christopher Fortescue

Christopher Fortescue Naturalism #2 2008 (see more)


Chris Fortescue, Untitled wall drawing using wall-paper cut outs,1991
 Linden Gallery, Melbourne. (see more)

Cathy Blanchflower

source

Brice Marden

Brice Marden 2010 (source)

Listen to Brice Marden talk about his process

Alex Rizkalla





Alex Rizkalla Flight 1995
Several old slide projectors on time-board 
project Muybridge images of birds in different stages of flight,
 over white waistcoats pinned to the wall in a regular pattern. 
The movement of the slide projectors emitted a sound like birds wings
 close to the ears of visitors. 

Ah Xian

Ah Xian China Bust 72 2002

Ah Xian was born in Beijing in 1960. Initially trained as a painter, Ah Xian was a practising artist in China throughout the 1980s. Following the events in Tiananmen Square in 1989, he sought political asylum in Australia and moved to Sydney in 1990. Since the 1990s, Ah Xian has united traditional Chinese materials and techniques with a contemporary sculptural practice to address issues surrounding cultural displacement, identity politics and the relationship between East and West. His recent works continue to explore the material and symbolic possibilities of techniques such as lacquer-ware, bronze and cloisonné to represent the human form. In 1999 Ah Xian was included in the Third Asia-Pacific Triennial of Contemporary Art at the Queensland Art Gallery, Brisbane. Major solo exhibitions include China, China – Recent Porcelain Works of Ah Xian, Beijing Teachers University, Beijing, and Queensland Art Gallery, Brisbane, 2000; and Ah Xian Meets Jingdezhen, Museum of Frankfurt, Germany, 2002. Ah Xian lives in Sydney. source

Jasper Johns

Jasper Johns 0 through 9 1961 Oil paint 
Jasper Johns 0 through 9, 1960 
Lithograph
 30 x 22 inches
Jasper Johns   0 through 9 etching 1967-9 

Sophie Taeuber Arp

Sophie Taeuber Arp Broken Cross Between Diagonals 1932


Sophie Taeuber Arp 

Equilibre , 1931
Oil on Canvas
Aargauer Kunsthaus Aarau

32,0 x 25,5 cm 



Thursday 25 April 2013